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Browsing Roczniki Teologiczno-Kanoniczne, 1987, T. 34, z. 7 by Issue Date
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- Browsing Roczniki Teologiczno-Kanoniczne, 1987, T. 34, z. 7 by Issue Date
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Browsing Roczniki Teologiczno-Kanoniczne, 1987, T. 34, z. 7 by Issue Date
Now showing items 1-20 of 35
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)The "Magnificat" by Mikołaj of Radom is above all one of the earliest examples of the application of the fauxbourdon technique in European music. (This technique is described in the manuscript as "per bordunum"). The ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)Among the compositions written by B. Schaeffer before 1986 there are six of a definitely religious character: "aDieu" (1973) for trombone solo, "Missa eletronlca" (1975) for boyschoir and an electronic tape, "Miserere" ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)Vespers, besides the mass, the litany and the passion represented the main part of the repertory of choirs and instrumental groups in Polish diocesian and monastic churches. In the XVIII century the following kinds of ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)It was In the XVIIIth century that secular music started to make its way into church music. Liturgical texts were disregarded, they were shortened or changed or even omitted. Pope Benedict XIV tried to prevent such abuse ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)The distinction between sacred and secular music has obtained almost uninterruptedly ever since the time when professional music developed. In contemporary muslcologlcal literature there is a lot of ambiguity and many ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)It is only recently that folk religious songs have become the object of systesatic scientific study. So far the investigations carried out have proved that the source of inspiration for Polish folk religious songs is both ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)As far as we know, the oldest text of Vespers translated into Polish is in a prayer book of 1700 entitled "Celestial Grown" (Jagiellonian Library – BJ 585391). It contains a Latin version, with translations into the ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)The entries on professor Wacław Gieburowski in many lexicographical sorces contain a lot of erroneous information, the verification of which provided a basis for further work on his life and deeds. Wacław Kazimierz Gieburowski ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)Solo songs about Our Lady were very popular in Poland in the XIXth century, especially the song "Ave Maria". The authours of these songs were both professional composers like W. Czerwiński, Antoni Kętski, J. Nowakowski, ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)An instrument with 12 keys in an octave can be tuned according to the natural system and as a result 12 consonant triads can be obtained (6 major and 6 m inor ones), each of which consists of natural thirds and fifths. ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)In musicologlcal literature one can find contradictory opinions about the esoteric character of the isorhythmic motet. H. H. Eggebrecht, G. Reichert and R. H. Hoppin do not agree with the opinions expressed by H. Besseler ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)Liturgical traditions in Poland were formed over many centuries and were transmitted from one generation to another both in writing and orally. They were recorded in service books in a special way. After the Council of ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)One of the two masses by T. Szadek (ca. 1550-after 1610) which have been preserved is based on the five voice chanson of Crecquillon "Pis ne me peult venir". The mass was written before 1580 and was intended for the musical ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)There were 33 churches in the territory of the Radom and Jedlińsk districts in the XIXth century. Only in of them i. e. in the church of the Holy Trinity in Radom was there no organ. In one the remaining 32 churches there ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)Wacław Sierakowski in his treatise "The art of music – a book for Polish youth" published in 1795 tried to explain the whole problem of music i. e. the creative process, composition preformance, the evaluation of musical ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)Language, i. e. the language of a given ethnic group, natural language, musical onomastics, muslcological terminology etc., plays an important part in the process of muslcological cognition. First of all it is a subject ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)The history of the handwritten graduais from Tyniec is not well known. The Tyniec collection is actually represented by two graduais: the first one was written at the beginning of the XVth century (G I) and the second one ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)One manifestation of the process whereby the modal tonality of the music of the XVI and XVII century was changed to the tonality of major and minor was the application of chromatics. A good example is "Chromatica" by A. ...
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XVIII-wieczne utwory bożonarodzeniowe w zbiorach kapeli oo. Paulinów na Jasnej Górze w Częstochowie (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)An especially strong growth in stylistically distinct musical works connected with the liturgical period of Christmas can be observed in Poland in the XVIII century. At the same time this period witnessed the heyday of the ...
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(Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)The Rev. J. Surzyński (1851-1919) was a priest, a doctor of theology, an editor, a conductor, an organist and a representative of the first generation of Polish musicologists (without an educational qualification). In the ...
Now showing items 1-20 of 35
