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Człowiek w teatrze Bogusława Kierca

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dc.contributor.author Cieślak, Robert
dc.date.accessioned 2022-08-18T10:20:21Z
dc.date.available 2022-08-18T10:20:21Z
dc.date.issued 1992
dc.identifier.citation Szczecińskie Studia Kościelne, 1992, nr 3, s. 119-124. pl_PL
dc.identifier.isbn 83-7041-000-6
dc.identifier.issn 0867-7220
dc.identifier.uri http://repozytorium.theo-logos.pl/xmlui/handle/123456789/443
dc.description Autor streszczenia: Robert Cieślak. pl_PL
dc.description.abstract On the ground of an analysis o f some texts and performances made by B. Kierc in The Contemprorary Theatre in Szczecin has been shown the most import ant problem of his stagecraft. An interpretation process is a searching for unswerws Tyree questions: 1. How philosophy o f the meeting (resp. of the dialogue) can be source of an artistic inspirations in the theatrical world? 2. When the culture identyfies with the human being? 3. Who is an actor in the theatre of B.Kierc? en
dc.description.sponsorship Arcybiskupie Wyższe Seminarium Duchowne Archidiecezji Szczecińsko-Kamieńskiej pl_PL
dc.language.iso pl pl_PL
dc.publisher Szczecińskie Wydawnictwo Archidiecezjalne „Ottonianum" pl_PL
dc.rights Attribution-ShareAlike 3.0 Poland *
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/pl/ *
dc.subject Bogusław Kierc pl_PL
dc.subject teatr pl_PL
dc.subject człowiek pl_PL
dc.subject filozofia pl_PL
dc.subject philosophy en
dc.subject human en
dc.subject theatre en
dc.subject filozofia dialogu pl_PL
dc.subject literatura pl_PL
dc.subject literature en
dc.subject egzystencja pl_PL
dc.subject existence en
dc.subject philosophy of dialogue en
dc.title Człowiek w teatrze Bogusława Kierca pl_PL
dc.title.alternative The human being in the Theatre of Boguslav Kierc en
dc.type Article pl_PL


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