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Przeglądaj Roczniki Teologiczno-Kanoniczne, 1987, T. 34, z. 7 według tytułu

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Przeglądaj Roczniki Teologiczno-Kanoniczne, 1987, T. 34, z. 7 według tytułu

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  • Winowicz, Krystyna (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    The Rev. J. Surzyński (1851-1919) was a priest, a doctor of theology, an editor, a conductor, an organist and a representative of the first generation of Polish musicologists (without an educational qualification). In the ...
  • Wit, Zbigniew (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    As far as we know, the oldest text of Vespers translated into Polish is in a prayer book of 1700 entitled "Celestial Grown" (Jagiellonian Library – BJ 585391). It contains a Latin version, with translations into the ...
  • Gładysz, Jan (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    Vespers, besides the mass, the litany and the passion represented the main part of the repertory of choirs and instrumental groups in Polish diocesian and monastic churches. In the XVIII century the following kinds of ...
  • Poniatowska, Irena (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    Wacław Sierakowski in his treatise "The art of music – a book for Polish youth" published in 1795 tried to explain the whole problem of music i. e. the creative process, composition preformance, the evaluation of musical ...
  • Szymanowicz, Maria (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    There were 33 churches in the territory of the Radom and Jedlińsk districts in the XIXth century. Only in of them i. e. in the church of the Holy Trinity in Radom was there no organ. In one the remaining 32 churches there ...
  • Poloczek, Edward (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    The first Polish Catholic songbook printed in Cieszyn Silesia is entitled "The work for every day, for every year and for the whole of every Catholic Christian". The author of the songbook was Father Antoni Janusz. It was ...
  • Pikulik, Jerzy (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    The history of the handwritten graduais from Tyniec is not well known. The Tyniec collection is actually represented by two graduais: the first one was written at the beginning of the XVth century (G I) and the second one ...
  • Pawlak, Ireneusz (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    Liturgical traditions in Poland were formed over many centuries and were transmitted from one generation to another both in writing and orally. They were recorded in service books in a special way. After the Council of ...
  • Chwałek, Jan (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    An instrument with 12 keys in an octave can be tuned according to the natural system and as a result 12 consonant triads can be obtained (6 major and 6 m inor ones), each of which consists of natural thirds and fifths. ...
  • Pociej, Bohdan (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    The purpose of the present essay is to define a special set of symbolical and expressive values found in XIXth century music. The main problem is the relation between romantic music and the sacred. The problem concerns ...
  • Witkowska-Zaremba, Elżbieta (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    The Pythagorean system i.e. the bases of the Pythagorean tune and its theoretical argumentation was presented by J. de Muris in his first musical treatise "Notitia artis musicae" in 1321. He developed his ideas in the ...
  • Poźniak, Piotr (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    One of the two masses by T. Szadek (ca. 1550-after 1610) which have been preserved is based on the five voice chanson of Crecquillon "Pis ne me peult venir". The mass was written before 1580 and was intended for the musical ...
  • Idaszak, Danuta (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    It was In the XVIIIth century that secular music started to make its way into church music. Liturgical texts were disregarded, they were shortened or changed or even omitted. Pope Benedict XIV tried to prevent such abuse ...
  • Skeris, Robert A. (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    Początki idei ujednoliconego śpiewnika w języku niemieckim sięgają XVII w. Konkretne prace nad takim dziełem zauważamy jednak dopiero w XIX w. Zainicjował je franciszkanin P. Singer, wydając w 1845-47 r. "Cantica spiritualia". ...
  • Bartkowski, Bolesław (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    Since 1970 the Institute of Church Musicology of the Catholic University of Lublin has been collecting all the Polish Catholic religious songs which have been preserved in the living folk tradition. The material gathered ...
  • Buczek, Barbara (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    Among the compositions written by B. Schaeffer before 1986 there are six of a definitely religious character: "aDieu" (1973) for trombone solo, "Missa eletronlca" (1975) for boyschoir and an electronic tape, "Miserere" ...
  • Tomaszewski, Mieczysław (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    A famous poem by J. W. Goethe, perhaps better known by its incipit ("Über allen Gipfeln") than by its title (Wanderers Nachtlied, II), can be equally well described as lyrical, a phoristic, liberal, open, symbolical, ...
  • Pośpiech, Remigiusz (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    An especially strong growth in stylistically distinct musical works connected with the liturgical period of Christmas can be observed in Poland in the XVIII century. At the same time this period witnessed the heyday of the ...
  • Zoła, Antoni (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 1987)
    It is only recently that folk religious songs have become the object of systesatic scientific study. So far the investigations carried out have proved that the source of inspiration for Polish folk religious songs is both ...

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